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2011-2012
Concert Season
Summer Sing
July 23, 2011
Festival of Voices
October 1, 2011
Carmina Burana
October 14 - 16, 2011
with The Florida Orchestra
Andrea Bocelli
December 4, 2011 St. Pete Times Forum
Christmas at
the Pops!
December 9 - 11, 2011 with The Florida Orchestra
Celebrate Delius
January 6 - 8, 2012 with The Florida Orchestra Performing and recording
Delius' Sea Drift and Appalachia: Variations on an Old
Slave Song
The Peace
Project
March 30 -
31, 2012
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Dr. James K. Bass
Music and Artistic Director
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Critics Corner
Ensembles Cast Spell With Formidable
Requiem
By KURT LOFT
© The Tampa Tribune
Published: Nov 20, 2005
ST. PETERSBURG -- The Master Chorale of Tampa Bay proved again Saturday night
why it ranks among the more respected choirs in the country, and its voice
continues to add to a legacy of sound spanning 25 years.
The singers teamed with The Florida Orchestra at Pasadena Community Church in
their first staging of Antonin Dvorak's Requiem, a rare but poignant creation
that will go down as a highlight of the music season. Kudos to both groups for
scheduling such a formidable work rather than repeating comfortable repertoire.
Although the Requiem lacks the dramatic punch of those by Berlioz and Verdi, it
makes up for it in introspection, awe and melancholy. For nearly 100 minutes,
listeners could only marvel at the musicians' seamless craftsmanship and
concentration.
Essentially a work about the nature of existence, Dvorak's Requiem is a
dreamscape, but one with a total integration of soloists, chorus and orchestra.
Under the direction of guest conductor Grant Llewellyn and prepared by Richard
Zielinski, the 140-voice chorus sounded like a finely tuned instrument from the
opening "Rest eternal" to the perpetual light of the final section.
The Requiem unfolds in two large sections, the first suggesting death and ending
with the "Lacrimosa," followed by an "Offertorium" that offers acceptance and
consolation. Dvorak builds momentum from a four-note motif -- F, G-flat, E and F
-- which appears in various guises more than 120 times.
Offstage trumpets heralded the "Tuba Mirum," and the women's voices sounded
downright angelic in the "Quid Sum Miser" movement that followed. The searing
strings in the "Confutatis" seemed to tear open the flesh, and the chorus as a
whole squeezed every drop of emotion from its Amen at the end of the "Lacrimosa."
A strong rank of soloists included soprano Barbara Shirvis, mezzo Krista River,
tenor Carl Halvorson and bass Stephen Powell. All sang with clarity and
conviction, their voices intertwining in blissful resignation through the
closing "Agnus Dei."
Performances continue tonight in Clearwater and Monday in Tampa.
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