The Master Chorale Ensemble Singers, under the direction of Deah McReynolds (Artistic Director of Lumina Youth Choirs and Soprano Section leader in the Chorale), are currently preparing a new piece called The Ethics by Ittai Shapira. They will be performing this work for the Florida Holocaust Museum's annual benefit titled “To Life: To the Arts” on February 18 at the Mahaffey Theater.

"The Ethics" is scored for 40-voice choir, piano (Teresa Ancaya), percussion (Michael Skillern), and violin (composer Ittai Shapira) and was premiered at Carnegie Hall on May 14, 2015 in commemoration of the 70th anniversary of the liberation of Theresienstadt Concentration Camp. In The Ethics, Shapira invokes the music and memory of the Jewish prisoners of the camp, offering a contemporary response to Brundibár - the opera Jewish children were forced to perform for their Nazi captors. 

An article about the upcoming event and performance is available for download below. 

MORE INFO -
Florida Holocaust Museum - To Life: To the Arts: 
https://www.flholocaustmuseum.org/learn/events/to-life-annual-benefit


"The phrase "We shall not forget" is a must, but not enough. We need to keep the memory alive. This is not "just" about the Holocaust; In the video below, I discuss the enormous potential of the Arts with architect Daniel Libeskind and anthropologist Natasha Zar towards building the next generation of Holocaust Memory through Identity and Empathy." - Ittai Shapira

by Brian Hathaway

​Let me begin my latest post with a story.  Every year since I joined The Master Chorale in 2007, there is a singer survey at the end of the concert season where we answer a series of demographic questions and offer our opinion about the season just past.  One of my favorite questions is:  “What orchestral and choral work would you like to perform with The Master Chorale?”  For the past five years I have given the same answer: “The Brahms German Requiem”.  At last that wish is coming true, for we will be offering Brahms' "A German Requiem" in concert with The Florida Orchestra on the weekend of March 11-13, 2016.
 
Although I had many of Brahms works in my listening collection, they focused more on his orchestral works.  Fortunately, many years ago I had a church choir director who challenged us musically and he introduced me to “How Lovely is Thy Dwelling Place.”  Being fairly new to choral singing, I found the piece a bit of a challenge, but I loved the sound of it, and shortly thereafter added the German Requiem to my listening library.

As we move through our musical journey to prepare for the performance of this work, there are some interesting elements that can promise an exceptionally memorable musical event. 
 
The first is the Florida Orchestra and its new Music Director, Michael Francis.  His love of choral music became apparent last year when we performed the Faure Requiem with the Orchestra.  Maestro Francis chose a more intimate orchestral score that made the choral portion of the score more apparent.  He also took additional steps to improve the acoustics at Mahaffey Theater to enhance the sound of the chorus more in that venue.  This fall, he chose The Bells by Rachmaninoff, a very difficult and infrequently performed choral work which we sang in Russian.  His enthusiasm for the Chorale was apparent through the rehearsals and performances, solidifying our artistic collaboration that began with the Faure Requiem.
 
Second, The Master Chorale has a long and storied history with the Brahms Requiem.  From 1986 to 1997, the Master Chorale performed the Brahms Requiem five times.  One of those performances in 1996 was with choral giant Robert Shaw at the podium.  Now, almost 20 years later, The Master Chorale will again present this wonderful work.
 
Third, our Music Director, Dr. Bass, wrote his Doctoral Thesis on Johannes Brahms, so we have at our podium every week one whose encyclopedic understanding of Brahms can only help us put our music into context with the message Brahms intended to deliver.
 
Finally, in 2012, Dr. Bass was Chorus Master for a recording of the Brahms Requiem by Seraphic Fire and the Professional Choral Institute leading to a GRAMMY nomination for this recording. In listening to that recording, I can see how Dr. Bass is applying the approach that made that recording fresh, innovative and memorable to our preparatory work.
 
With all these elements of success, it is up to us on the risers to apply our best efforts to make these performances memorable.  I for one, am extremely excited to be a part of these performances, for at last, my wish is coming true!